deixem passar (it favors the house) (2026)

A video essay exploring diasporic masculinity, grief, and cultural identity under neoliberalism. Through the retelling of a familial experience (the loss of a father), a broader expansion of the Madeiran diaspora in South Africa situates intimate memory within broader systems of economic and gendered expectation.

Tar (2025)

A 26-minute video essay that, by utilizing the archive and recently taken footage, reads into potholed roads as a reflection of a political past crossroading a precarious present within South Africa; memory becomes a site of nostalgic contention and re-construction.

Character Coding (2023)

Awarded the Re:Touch Photography Prize (Kulturprojekteberlin with metaLabHarvard), “Character Coding” deals with female stereotypes, toxic masculinity, and the harassment of individuals perceived as female in online spaces. The work therefore also questions so-called internet phenomena such as hate speech and comments, as well as the current state of net feminism and the male gaze in general.

oooof _____ aged badly (2024)

A filmic reflection on the current phenomenon of social-mediated, skincare-brand weaponized ageism in the form of a 7-minute film. Narrated by a variety of AI voices representing individual users, a comment thread from one niche celebrity gossip account - showcasing how different women celebrities have aged - is re-performed.

studio saudari (2020 - ongoing)

studio saudari started in Berlin in 2020. A collective initiative for sharing, resisting, dreaming, studio saudari is all about collaboration and the love of print publications.

bordering 31 (2022)

Dissecting the features of experiencing a particular mental disorder and the subsequent inherited space of accompanying disillusion the artworks, poetry and soundscape presented by Gabriella Achadinha and the 3D video piece by artist Kim Rosario aim to present the felt as visual.

print experiments: i feel like i know you (2026)

essay: crit (2024)

interviews: pétala (2021), fruta (2022) & jungle (2025)

print experiments: vrystaat kitsch (2025)

essay: An Outsider & The Self-Made: The Universe of South African Artist Helen Martins (2024)

insert narrative (2021)

Dissecting the features of experiencing a particular mental disorder and the subsequent inherited space of accompanying disillusion the artworks, poetry and soundscape presented by Gabriella Achadinha and the 3D video piece by artist Kim Rosario aim to present the felt as visual.

harvesting traces (2024)

Designed and coded the collective research site for the Socio-Political Context Masters program of 2023/4 (KdG Sint-Lucas Antwerpen).

capitalize this spirit (2025)

Included in Glosopeda's group exhibition contribution to 'The Wrong Biennale'.

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